Scott Bradlee's Postmodern Jukebox

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Scott Bradlee's Postmodern Jukebox

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Scott Bradlee's Postmodern Jukebox

There is a very good possibility that you may have seen or heard of the terrific musical collective known as Postmodern Jukebox on an array of social media platforms.

These clever and talented performers have an uncanny ability to take a contemporary pop hit and reincarnate it into a superb, vintage-flavoured songbook standard from the last century.

Imagine a Beyoncé, Britney Spears or Taylor Swift song reworked as if they were earmarked for Louis Armstrong, Ella Fitzgerald, Judy Garland, or Nina Simone and accompanied by a rousing mini-big band that sounds like a cheekier Benny Goodman Orchestra on Red Bull.

After their cover of Miley Cyrus’ 'We Can't Stop' racked up over 12 million views on YouTube, Bradlee and his revolving door of seemingly endless talent have become the go-to YouTube channel for music you have to hear. Last month Postmodern Jukebox reached over 1 million subscribers on YouTube and amassed over 232 million views.

They have recently been turning Taylor Swift into vintage cabaret with their take on 'Blank Space', jazzing up Meghan Trainor’s 'All About the Bass', adding a 70s soul vibe to Backstreet Boys 'I Want It that Way' plus making a powerful vocal/piano version of Hozier’s 'Take Me To Church'.

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